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SELECT WRITING

 

Articles

"Fogscapes: Notes on Fujiko Nakaya's Sculptural Practice," PublicVolume 35, Issue 70, 2024

"Trophies and Monuments," esse arts + opinions, 103, 2021

 

"Jeff Bezos’ cowboy hat photo links him to a lineage of images depicting a desire to colonize and claim," Toronto Star, September 27, 2021

Family Photos: Notes on Zinnia Naqvi’s Dear Nani and Yours to Discover,BlackFlash 37.1, 2020

What Losing 401 Richmond Could Mean,” Canadian Art online, July 27, 2017

 

Images of Images: Notes on Anne Collier’s and Kotama Bouabane’s photo practices,” AFTERIMAGE: THE JOURNAL OF MEDIA ARTS AND CULTURAL CRITICISM, vol. 44, no. 4, 2017

"(Im)possible Bouquets," esse art + opinion, issue 86, 2016

 

Permission Granted: A Case Study of the Challenges and Opportunities of Creating Community Experiences at the Gladstone Hotel,” co-written with Darren O’Donnell, Britt Welter-Nolan, and Annie Wong, Curator: The Museum Journal, vol. 58, no. 1, 2015

 

Taking it slow: Duration and Intimacy in Olivia Boudreau’s Le Bain and L’Étuve,” C Magazine 123 (Autumn 2014)

 

Reviews

Exhibition review of Christine Sun Kim's All Day All Night  (Whitney Museum of American Art), Border Crossings, 169, 2026

Exhibition review of Remediation (MOCA), esse arts + opinions, online, 2023

Exhibition review of Angirramut / Ruovttu Guvlui / Towards Home (CCA), esse arts + opinions, 107, 2023

Exhibition review of Double Vision: Jessie Oonark, Janet Kigusiuq, and Victoria Mamnguqsualuk (Textile Museum), esse arts + opinions, 106, 2023

Exhibition review of Nations by Artists (Art Museum), esse arts + opinions, 105, 2022

Exhibition review of Sandra Meigs’s The Little Lost Operas (Susan Hobbs Gallery), Artforum online

Exhibition review of I’ll be your Mirror (Kitchener Waterloo Art Gallery), C Magazine 141, (Spring 2019)

Exhibition review of Erika DeFreitas’s like a conjuring (bringing water back to Bradley) (Bradley Museum), esse arts + opinions online, 2017

 

Editorial

The Politics of Spatial Transgressions in the Arts, published by Palgrave

Aleesa Cohene I Don’t Get It, co-published by Gallery 44 Centre for Contemporary Photography, The Rooms and The Western Front

Reflections & Refractions, published by Black Dog Publishing

 

Curatorial Essays

Through lines, Koffler Gallery and Critical Distance Centre for Curators, Toronto
September 13 – November 25, 2018

 

With an instinct for justice, Doris McCarthy Gallery, Toronto
May 5 – June 30, 2018

 

Off all the places, Gallery 44 Centre for Contemporary Photography
October 23 – November 28, 2015

 

Makeshift, Gallery 44 Centre for Contemporary Photography
May 2 – 30, 2015

 

Memories of the Future, Campbell House Museum
August 20 – October 17, 2015

 

Data Mine, Gallery 44 Centre for Contemporary Photography
September 12 – October 18, 2014

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